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[S1E1] Doll 123


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Maka and Soul Eater's next obstacle is the witch's soul. Death advises Maka to be careful, as many meisters have lost their lives in battles with witches. Death Scythe weeps over a doll of Maka, telling her to be careful. Death instructs Maka to make a great death scythe, that won't lose to the one her mother made. As a last word, he tells the duo that the last soul must be that of a witch, otherwise they will be stripped of all the souls they have gathered so far. Death then closes the connection.


DollhouseInstallmentEpisode21"But what is a doll, really Nothing more than mankind's attempt to finish what the Almighty began."Premiere dateJuly 21, 2022Written byManny CotoDirected byLoni PeristereEpisode guidePreviousNextGame OverAuraHuluGoogle Play


The Van Wirt Toy Company is in full swing in Natchez, Mississippi (1961). Miss Coby Dellum applies lipstick in her car, preparing for a job interview within. Inside, plastic is molded and sculpted into dolls and packaged under the watchful eye of Mr. Van Wirt. He considers dolls without sin, and she questions the wisdom of whether God would prefer humans as dolls. He considers her "not right" for the position, regardless of her overqualifications. Van Wirt's assistant, Eustace grabs and gags her from behind and drags her away.


She awakes in his "private dollhouse", an eclectic design he designed full of seeming mannequins (dressed as a diner waitress, a shepherdess, a bride and a French maid). He says she is to be in a pageant for the next seven days. She tries to politely decline, but her participation is not open to debate. Her path is blocked by his mute (tongueless) assistant, and he leaves her locked in to get settled. She comes to realize she is not alone, and several masked women begin moving and speaking. Aurelia, dressed as the French maid, objects to her entering late into the contest without passing the three tests the other "dolls" endured. They explain that the contest is to decide which "perfect doll" shall be the mother to his children; the eliminated will be gruesomely dealt with. Harlene and Bonnie show Coby to the room that they share. Some of them have been kidnapped from roadsides or their homes over recent weeks, but none have escaped. Coby spots a young boy, Otis, in the window of the main house.


Harlene explains that Van Wirt ordered his adulterous wife (Otis' mother) and her lover thrown naked into a deep well two years prior when he caught them together. While officially a boating accident, the "dolls" know the cover story to be false.


An alarm bell sounds and the dolls hurry to choose and dress in costumes, posed frozen for Otis and Van Wirt's entertainment. Otis is unamused by the new addition, "Coby the Clown". Otis believes that adults wrongly believe children like clowns, and a desperate Coby offers to show him a magic trick before he arranges for Eustace to dispose of her. While dubious of magic tricks, Otis is fascinated when Coby appears to push a toy truck across the floor with no visible means. He demands that she do so again, and she reluctantly repeats the strange trick.


Later in their quarters, Aurelia is furious that Coby produced the magic trick and demands an explanation. Coby counters that Aurelia should consider instead what it means to win the contest. Will the winner become Van Wirt's wife Aurelia doesn't care, and wants only to survive. The alarm rings out again, signaling a test. Van Wirt hastily describes a menu, for which the dolls must set a formal place. They have one minute to set the table properly, with the most mistaken doll eliminated. Aurelia's setting is perfect, while Harlene's is flawed. Coby loses major points, including a water glass knocked over in haste, but Faye's setting is ultimately the most mistaken. Eustace stuns her with a cattle prod and hoists her out the door and into the well.


The next morning, Otis visits again. Coby admits to him that she has a telekinetic gift that she has kept secret. She left home b




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