top of page

Tribe 54 Group

Public·1 member

Seinfeld - Season 4

Seinfeld was produced by Castle Rock Entertainment and distributed by Columbia Pictures Television and Columbia TriStar Television and was aired on NBC in the US. The executive producers were Larry David, George Shapiro, and Howard West with Tom Gammill and Max Pross as supervising producers. Bruce Kirschbaum was the executive consultant.[1] This season was directed by Tom Cherones and was largely written by Larry David, Jerry Seinfeld, Larry Charles, Peter Mehlman and Andy Robin.

Seinfeld - Season 4


The series was set predominantly in an apartment block on New York City's Upper West Side; however, the fourth season was shot and filmed predominantly in CBS Studio Center in Studio City, California.[2] The show features Jerry Seinfeld as himself, and a host of Jerry's friends and acquaintances, which include George Costanza, Elaine Benes, and Kramer, portrayed by Jason Alexander, Julia Louis-Dreyfus and Michael Richards, respectively.[3]

The season had numerous story arcs. One that spanned the whole season involved Jerry and George trying to make a TV pilot for NBC. Another was George having a relationship with former NBC executive Susan Ross. In another, Joe Davola stalked and attacked the show's principal characters.

The review aggregator website Rotten Tomatoes reported a 100% approval rating with an average rating of 9/10, based on 13 critic reviews. The website's critics consensus reads, "The show about nothing tries on an overarching plot for a change and yields a riotous satire on television in the process, further solidifying its claim as master of the sitcom domain with observant humor mined from the mundane and uncomfortable."[4] TV Guide named it #1 on their list of the greatest TV seasons.[citation needed] Jamie Malanowski of Time named it the best season of the series saying "A mix of high and low, of the self-referential and the hip, of things underfoot and out of left field."[5]

Season four received eleven Emmy nominations, three of which were won. The show won its first and only Emmy Award for Outstanding Comedy Series. Larry David won the Emmy for Outstanding Writing in a Comedy Series for the episode "The Contest". Michael Richards won his first out of three Emmy Awards for Outstanding Supporting Actor in a Comedy Series. Jerry Seinfeld was nominated for Outstanding Lead Actor in a Comedy Series. Jason Alexander was nominated for Outstanding Supporting Actor in a Comedy Series. Julia Louis-Dreyfus was nominated for Outstanding Supporting Actress in a Comedy Series. Tom Cherones was nominated for Outstanding Directing in a Comedy Series for "The Contest". Larry Charles was nominated for Outstanding Writing in a Comedy Series. Other nominees where Outstanding Achievement in Editing for a Comedy Series for The Airport. Jason Alexander was nominated in the Golden Globe Award in the category for Best Performance by a Supporting Role in a Series, Mini-Series or Motion Picture for TV. This season won a Directors Guild of America (Tom Cherones) for "The Contest", and a Writers Guild of America (Larry David) for "The Contest".

In the seventh episode of the first season of Mad About You, which aired on November 11, 1992, Kramer sublets his apartment from a main character. When he asks about Jerry, Kramer tells him about the NBC show.

Season 4 of Seinfeld ran from August 1992 to May 1993, for a total of 22 episodes. The main plot of the season was Jerry Seinfeld and George Costanza write the pilot for the TV show Jerry for NBC.

Whether or not you've seen all 180 episodes of the TV sitcom classic Seinfeld, there's a good chance you're living through one of their plots right now. In the nine seasons of Larry David and Jerry Seinfeld's brainchild, just about every conceivable situation, relationship, and awkward occurrence was covered. Parking space disputes, frustrating customer service experiences, even sexual dysfunction; these were the everyday topics that made the show so relatable to television audiences.

Not every episode was created equal, however, and by extension, some seasons of Seinfeld are simply better than others. To be clear, you won't find a bad season - unless you are part of the minority of people who don't like the show at all - but Seinfeld certainly had its high and low points throughout the 90s. For this ranking of the seasons, I took a statistical approach, rounding up similar lists from around the web and assigning points depending on their ranks. Then I tweaked the final list ever so slightly according to my tastes, but it's pretty much in line with the general consensus; your mileage may vary.

It's easy to argue that the inaugural batch of episodes is the weakest of Seinfeld's nine seasons. It's only five episodes long, and that's only if you include the pilot episode, also known as "Good News, Bad News" and "The Seinfeld Chronicles." Though this is where the central characters (Seinfeld's heightened version of himself, Jason Alexander's George Costanza, Julia Louis-Dreyfus' Elaine Benes, and Michael Richard's Cosmo Kramer) first come together, it takes them much longer than five episodes to really dig into each of their quirky personalities.

It's clear from the outset that the Seinfeld team has a rapport and a formula that works given enough time, but these episodes are rough. The timing is a little off, the banter is stilted, and the characters are all much more toned down from their eventual versions of themselves; even the music is jarring at this point. Season 1 is one of the few seasons that's incredibly easy to pick out of a line-up on a late-night TBS syndication run.

Just as Season 1 and 2 were examples of Seinfeld on the rise, Season 9 is the ultimate nadir of the show's decline. The final season of the series still finished better than where it started, but by this point the showrunners and Seinfeld himself were struggling to come up with story ideas. It's also sort of a Road Trip season since the gang travels to India for a wedding, Jerry makes yet another trip down to Florida, and the four of them infamously meet their characters' ends in a Massachusetts pit-stop, though they were initially bound for Paris.

Season 6 is about as middle-of-the-road as you can get for Seinfeld. It comes off of the great success of the show's fourth and fifth seasons, but the quality takes a dip. Jerry's sense of self blows up a bit in this year since his character dates a Miss America contestant, an Olympic gymnast, and Bette Midler's understudy. The gang also takes trips to both the NHL Playoffs and the SuperBowl, taking them further away from the Everyman and more towards the celebrity status they're enjoying in their own lives (and doing fancy things like eating a Snickers with a knife and fork).

So while Season 6 features such memorable moments as the Big Salad, Assman, and the reveal of Kramer's first name, it's more of an assembly of funny moments rather than a coherent comedic thruline from beginning to end. There's plenty more family drama with not only Jerry's relatives but George's parents as well; their separation makes for some good comedy throughout the next few seasons. It's the season in which George buys Jo(h)n Voight's car and which celebrates the series' 100th episode ... with a clip show. It's good, just not Seinfeld at its best.

Season 8 might be better known for its drama outside of the show than for its storylines. As far as the major plots go, the gang - specifically George - deals with the aftermath of Susan's death at the end of the previous season. In the real world, series co-creator Larry David had actually departed the production and writing team prior to the season's start, leaving creative control largely to Seinfeld himself. This season has a noticeable uptick in absurd and surreal subject matter, but the different tone didn't prevent Seinfeld from staying atop the ratings all season long.

During its run, Seinfeld was apparently so busy writing material for the show that he didn't have time to come up with the in-show stand-up routines, which explains why they're absent from this season. Louis-Dreyfus was also pregnant in the second half of the season so, if you pay attention, Elaine noticeably hides her belly behind set dressings. Some great moments from Season 8 include Jerry's continuing attempts to reference Superman, Elaine's terrible dancing skills, cockfights, adventures with J. Peterman, and, of course, the Summer of George. You can't really find a bad episode in the bunch.

Now we get into the Top 3 Seasons. It's really difficult to choose just one here so a case can be made for any of them to be in the top spot. As for Season 5, the only thing that keeps it from being a silver or gold medal winner is its lack of a cohesive narrative that runs from the season's beginning to its end. The individual episodes are fantastic, enough to move this season high up on the list, but as an overall season it falls just short of being the best.

When I mention things like the Puffy Shirt, the restorative property of mangoes, or the non-fat yogurt conspiracy, if I ask you to spare a square or if you trust Eric the Clown (Jon Favreau) to keep his cool during a fire, you'll likely get a strong sense of nostalgia for this season of Seinfeld. The beauty of Season 5 - which can also be said for Seinfeld overall - is that you can drop in on any episode and enjoy it without having seen the one preceding it. But this list's top spots will go to the seasons with strong individual episodes as well as cohesive season-long narratives.

Season 7 might have the strongest season-long storyline, one that starts with George's engagement in the premiere and ends with Susan's death in the finale. While the latter wasn't exactly the plan when scripting started, David's departure from the team necessitated a change to how they handled Susan's character, leading to one of the show's best and most talked-about episodes. 041b061a72


Welcome to the group! You can connect with other members, ge...
bottom of page